After returning to Japan from the United States, I started producing and exhibiting artworks, and launched the conservation studio "Tokyo Conservation" in Tokyo, modeled on the conservation studio I spent in New York. As a representative of the conservation studio, I work with a unique staff on various painting restoration projects, from art galleries and museums, public facilities and corporate art, galleries to private collectors. In recent years, I have been actively involved in the research and restoration of war paintings and the restoration of paintings damaged by heavy rain disasters.

In the early 1980s, when I enrolled in the high school in Tokyo, I entered a Chinese martial arts dojo. I studied under the late Takio Nishigori, an ancient martial artist. I learned the Neijia martial arts, including Chen Pan Ling-style taijiquan, as well as ancient Japanese martial arts. And I received the family tradition martial arts handed down in the Taiwanese family.
The long-standing teacher-student relationship with Master Nishigori was spanned more than a quarter of a century, and the training, along with my production and exhibition activities, became the spiritual, ideological, and physical backbone of my lifelong creation.